JUNE

NEWSLETTER

Issue 3

The

Business

OF BECOMING FAMILY

Just as the instrumentation of an orchestra consists of representatives from the four “families” of musical instruments (Strings, Woodwinds, Brass, and Percussion), so do the many, varied members of the ensemble comprise one large human family. And that’s not hyperbole; in the Alabama Symphony orchestra, which has a modest complement of 53 musicians, you will find 3 married couples. We have 4 spouses who play with us so regularly that it’s strange to not see them on the stage, and we even have world renowned pianist, Joyce Yang, who is married to one of our bass players. Whenever she joins us onstage, not only do we get to experience a truly awe-inspiring performance, but we get to welcome her home with a collective embrace. There are more than a dozen children under the age of 12 in our orchestra family (with one more on the way in July!), many of whom will grow up thinking of the musicians as slightly odd aunts and uncles.

This familial feeling extends far beyond the stage. Need someone to take care of your pets while out of town? Call Hillary Tidman (flute) and Alex Horton (bass). If you’ve just gotten out of the hospital, chances are Lisa Weinhold (flute) will arrange for musicians to bring meals by. Need a handyman?Call Kevin Kozak (horn – by the way, if you have not yet seen the video of Kevin making a conductor’s baton, we highly recommend it – just make sure you have a hanky handy). Need emergency childcare during a concert? Our trumpet player, Nick’s wife, Siobhan, is always happy to take one for the team. These acts of love are just to name a few. We celebrate birthdays together, share holiday meals, and if you need musicians for your wedding? Consider it done.

When the musicians took a 55% pay-cut this season, we all chipped in and donated almost nine thousand dollars to a food fund to help make sure all the musicians got through this incredibly tough year. We spend countless hours together at work, but you will still find us spending time together on weekends, having a beer at Trim Tab together, or (this past year) catching up over Zoom and chatting through storm doors. People join this family from all walks of life, countries, and cultures; we may not always agree, but we strive to maintain mutual admiration and respect.

One of the best parts about being a member of an orchestra is that every time we play a concert we are inviting you, our audience, to join our wonderful and diverse family. For a few hours our audience becomes a part of our extended family as we explore the musical and spiritual dimensions of the music at hand, and try to get to know each other just a little bit better.

We hope that the musicians of the Alabama Symphony remain a part of your family for a long time. We have missed you over the past year and can’t wait to catch up in the fall. Stop by the stage and say hi, or give us a wave from your favorite seats. Remember, we may look similar when we are on the stage, but we have our share of cut-ups, comedians, introverts, and risk-takers, and while we are there to do a job, we are also, once again, becoming a family.

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KEEPING MUSIC IN THE CLASSROOM AND THE COMMUNITY

It is a widely held belief that music education and community outreach are the cornerstones upon which any successful professional orchestra is built.

One of the reasons the Musicians of the ASO are proud to be the state’s orchestra is that it allows us to serve and reach as many of the schools in the great state of Alabama as possible. In a normal season, that would mean busing kids in from other cities to experience the orchestra (often for the first and only time), or even taking the orchestra on the road and playing for students in their own schools. Often you would find smaller groups of musicians visiting schools to play for students in their classrooms, or to provide a unique and uplifting experience by playing in the communal areas of the Birmingham airport and various hospitals around town.

While COVID-19, and the resulting distance-learning and hospital lockdowns, have made such endeavors more difficult, the Musicians of the ASO are proud of the work we have done to continue to change lives through music. Since February 2021, through our Virtually INSPIRED program, our musicians and conducting staff have virtually visited over 3,000 students from 11 counties, 18 school systems, and over 70 schools in the state of Alabama! We have also held monthly Zoom coaching sessions with the members of the Alabama Symphony Youth Orchestra. In conjunction with UAB Music Therapists, ASO musicians have volunteered their time to play over 100 performances for COVID-19 patients recovering in the MICU as part of the Music Meets Medicine program. Musicians performed a final “Thank You!” concert in March for the physicians, nurses, and hospital staff who continue to work tirelessly in the UAB COVID-19 MICU. The orchestra has also produced our first hospital-wide broadcasts on closed circuit televisions at both UAB Children’s Hospital, and the UAB Hospital Main Campus, allowing us to play for the patients while they remain in their individual rooms.

In addition to our work with the ASO, the Musicians have begun a new community outreach program. This involves sending small chamber groups into Birmingham retirement communities in an effort to reach out and connect with the most vulnerable of our community, who have been isolated for so long, playing live concerts and holding Q and A sessions. To date, we have visited The Oaks on Parkwood, The Woodlands at Tannehill, and St. Martin’s In the Pines, to name a few. We have also performed at the Col. Robert L. Howard Veterans Home, as well as the VA in Pell City, in order to show our appreciation to our veterans. For those organizations who are still unable to have us visit in person, we have made a “digital care package” – videos of small groups of musicians playing – which will allow people to enjoy wonderful music remotely.
As the only full-time, professional Symphony Orchestra in Alabama, the Musicians of the ASO are proud of the effect we have on the lives of our students and members of the greater Alabama community, especially during such a difficult time. As we start the slow return to normalcy, we look forward to even more opportunities to continue the long-standing and awe-inspiring tradition of performing live music and enriching, and changing, lives through music.

 

If you work at a retirement or medical facility and are interested in having a chamber music group come play for your residents, or would like a copy of our digital care package, please contact us at contact@ALSymphonyMusicians.org.

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CENTER STAGE
Tariq and Mayumi Masri

CENTER STAGE

Tariq Masri, Principal Bassoonist, and Mayumi Masri, Assistant Concertmaster, have been a part of the ASO family for the past 21 years. At the encouragement of a mutual friend (the orchestra world is notoriously small), they immediately struck up a friendship in the early days of starting their jobs here in Birmingham. Less than a year later they were on a first date, hiking in beautiful Cheaha State Park, and by 2004 they had tied the knot. In 2009 they welcomed their daughter Rania into their family, and happily live in Birmingham’s historic Avondale neighborhood.

Originally hailing from the San Francisco Bay Area, Tariq began his musical studies on classical guitar, and shortly thereafter took up the clarinet in the elementary school band. The opportunity soon arose to make the switch to the bassoon, and he quickly earned a scholarship for the lease of a bassoon along with private lessons for a full year. Living in the Sacramento area provided Tariq with many incredible opportunities as a young musician, one of the most memorable being his trip to China with the Sacramento Youth Symphony. For his final two years of high school, he was a member of the San Francisco Symphony Youth Orchestra, and this opportunity gave him the chance to work with some of the world’s great conductors and performing artists; in fact it was during an SFSYO performance of Elgar’s Enigma Variations that Tariq first made the decision to pursue music professionally. From there he went on to receive a Bachelor of Music degree from the Cleveland Institute of Music, pursue graduate studies at University of Southern California, and land his first full time job as Principal Bassoonist of the Hofer Symphoniker in Hof, Germany.

Mayumi grew up in the New Haven, CT area, and knew by the age of three that she wanted to learn to play the violin. Less than a year later she was taking lessons, and by the age of eight she was studying with the violin professor at Yale University, along with her teaching assistant, amounting to two private lessons each week. Also engaged in youth orchestra, Mayumi participated in the Greater New Haven Youth Orchestra for many years, two of them as Concertmaster. Violin and music activities dominated her extracurricular focus, and summers were full of music camps and festivals. By the age of 15, she knew she wanted to play in a professional orchestra, and soon she was off to the Peabody Conservatory in Baltimore for her undergraduate studies. Shortly thereafter Mayumi was awarded a spot with the New World Symphony, a premiere training orchestra under the direction of Michael Tilson Thomas, and worked there for three years. Her first job was with the Alabama Symphony Orchestra as a member of the first violin section. Six years in, she won her current job as Assistant Concertmaster.

Together, they share many hobbies, including hiking, eating at local restaurants, and exploring Northern California wine culture. Restaurant favorites include classic spots like Hot and Hot Fish Club, Chez Fon Fon, and neighborhood haunts Fancy’s on 5th, Rodney Scott’s, and Automatic Seafood. 

Both Tariq and Mayumi agree that the addition of breweries to the Birmingham social scene has been a huge boost to the region. They are fans of all the breweries here, but especially enjoy spending an evening at Trim Tab or Monday Night Brewing. Most often however, they can be found at home, with Mayumi enthusiastically cooking Paleo food, and a sports game on in the background. Tariq is an avid sports fan (with baseball as a particular passion), and he and eleven-year-old Rania faithfully support all San Francisco Bay Area teams. Tariq also loves fly fishing and backpacking, and all three family members have completed many epic hikes in the western United States. 

Rania Masri is a huge music lover (spoiler alert: check out the video on the Alabama Symphony Orchestra’s #1 fan)! She will enter the 6th grade next year at the Creative Montessori School in Homewood. The whole family looks forward to spending time in Sonoma County every summer with Tariq’s family, and then heading to Sun Valley, Idaho to play with the Sun Valley Music Festival and soak up all the amazing outdoor activities there.

To hear Tariq and Mayumi’s thoughts on music and community, and to find out what it is like to be married and work in the same orchestra, please check out our video interviews embedded in this newsletter!

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SPOTLIGHT 180°
ASO Junior Patrons

SPOTLIGHT 180°

JP
IMG_5471

ASO Junior Patrons

Pass the champagne because we are celebrating one of our most effervescent support groups in this month’s Spotlight 180: the ASO Junior Patrons! Originally founded in 2016 by symphony super-fan, now board member, Jonathan Hoffman, the Junior Patrons grew to (at its height) 100 vibrant young professionals from all over Birmingham.  

Designed to generate interest to a newer and younger audience, the JPs host a variety of social events, including after-concert socials, special receptions, cocktail hours, and also organize group events like Birmingham Barons outings. 

By pairing social opportunities with specific concerts, they foster an environment for those who share a love of music, art, and making new connections. Sounds fun, right?
In 2017 the Junior Patrons shifted their focus toward our inaugural, now annual, Sensory Friendly Concert. Birmingham native, amateur French hornist, and long-time ASO supporter, Dr. Justin Schwartz joined the JPs and thought to himself, “how can I combine the two worlds in which I live?” As a Developmental Pediatrician, Justin has an intimate knowledge of children and adults who may behave differently or perceive the world in a way that may not be deemed “socially acceptable” in a concert hall. Through the principle of universal design, Justin and the JPs worked closely with KultureCity to develop the infrastructure for a concert setting that would not only be accommodating, but inclusive for anyone in attendance. It is conceptually parallel to a sidewalk wheelchair ramp that accommodates those who need it, but can be used by all members of society. By providing tools such as headphones and sunglasses, quiet spaces to retreat to, and designing a program of less bombastic orchestral repertoire with either an attached social story or visual representation, the experience is inherently more accessible to all. How many times have you wanted to stand up in the aisle and conduct an exhilarating overture, dance it out to a waltz, or simply close your eyes to a lullaby? 

This setting not only provides a welcoming environment for those with disabilities to express their experience freely, but it also provides a legitimate concert experience for the caregivers and family members that may not otherwise have the opportunity. As musicians, there is nothing greater than to see a tangible, physical effect of performing great music, and we are so grateful for this annual opportunity!

Like many of our other support groups, the JPs also contribute to our organization in an equal amount behind-the-scenes. During our most recent Beethoven Cycle, current JP President Samantha Chandler proposed the creative idea for our Beethoven Loyalty Program punch card (and subsequently our Masterworks Loyalty Program), and the Junior Patrons faithfully manned the punch card table at the Masterworks Concerts throughout that season. They can also be seen handing out programs at our popular Railroad Park concerts, fundraising for their own social events, and always brainstorming for new ways to support both the musicians and staff of the ASO. Most fun for us, they host the musicians after a select few concerts throughout the season where we share a drink and our enthusiasm for everything that is your Alabama Symphony Orchestra!

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"To our Junior Patrons - we thank you, we salute you, and we cannot wait to share a drink after a concert again in the near future. Cheers!"

Musician's Playlist
Nick Scholefield, bass

Musician's Playlist

My program for this month’s “Musicians Playlist” consists of four very different selections. They don’t share much in common with each other but they all come from genres that I love very much. I hope these will inspire you to explore these genres some more! The first track on the playlist is from Philip Glass’ 1990 chamber opera “Hydrogen Jukebox” and features poetry by my favorite poet, Allen Ginsberg. This song is titled “Wichita Vortex Sutra” and the spoken word (recited by Ginsberg) is from the poem by the same title written in 1966. It is a strong anti-war poem but incorporates other themes like imagery of the American Heartland, and religion (especially eastern religion.) Philip Glass is one of the most famous and prolific composers of our time and has collaborated with artists in many other fields. Along with traditional classical styles like solo instrumental, chamber, symphonic, ballet and opera, he has also composed a great deal of movie scores (and has been nominated for three academy awards.)

My favorite films with his scores are Godfrey Reggio’s “Qatsi” Trilogy and Paul Schrader’s “Mishima: A life in Four Chapters.” Amazon Prime’s original series “Tales from the Loop” also features Glass’ music.
The next selection on the playlist is the Overture to “Tannhäuser” by Richard Wagner. While Wagner is definitely the most controversial figure in classical music due to his reprehensible personal beliefs, he is undoubtedly one of the most important artists to have ever lived. Much like Beethoven, he revolutionized music in such a profound way that no composer that came after him could escape his influence. Wagner is most well known for his 4 part, 15 hour epic cycle “Der Ring des Nibelungen“ (“The Ring of the Nibelung.”) I had the pleasure of seeing the 2nd part, “Die Walküre“ (“The Valkyrie”), at the Lyric Opera of Chicago a few years ago and I consider it one of the most important musical experiences I’ve had. It was the fastest 5 hours I’ve ever experienced!

The Overture to “Tannhäuser” is probably my favorite orchestral overture in all of music. Like many of Wagner’s operas, the plot is long and complicated but should you find yourself in the position to be able to see it (or any of his other operas), I would highly recommend it.
“Manhã de Carnaval” was written by Luiz Bonfá and lyricist Antônio Maria for the 1959 Portuguese language film “Orfeu Negro” (“Black Orpheus.”) “Black Orpheus” is a retelling of the ancient Greek myth of Orpheus and Eurydice set during Carnaval in modern Rio de Janeiro. It won the Palme d’Or at the Cannes Film Festival, The Academy Award for Best Foreign Language Film and The Golden Globe for Best Foreign Film. It is a beautiful movie with a lot of amazing cinematography and Brazilian bossa nova. A friend turned me on to this style a few years ago and I’ve found myself coming back to it over and over again. If you like this song, I would also recommend the music of João Gilberto and Antonio Carlos Jobim.

I listen to jazz as much as I listen to classical and while there are hundreds of beloved tunes I could pick from, “Autumn Leaves” performed by Cannonball Adderley is a classic that always comes to mind first. I’ve loved jazz longer than I’ve loved any other kind of music and was a very important reason I decided to start playing bass in middle school. Unfortunately I never actually ended up studying jazz extensively after I got serious about an orchestral career but I still love hearing the thumping bass lines and feeling the heavy backbeat rhythmic pulse the bass provides in tunes like this.

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Beer & Music Pairing
Peter Garrett, Cello

Beer & Music Pairing

Richard Wagner’s “Tannhauser” begins with a simple chorale that features the rich, dark tone of subdued horns, clarinets, and bassoons. To enhance this experience, look to the melanoidin-rich maltiness of a classic German-style Doppelbock. Not only is this beer smooth and easy to sip for those delicate moments in Wagner’s music, its malt backbone and higher alcohol content provide a supporting architecture for the full orchestration and heroism of the climax of the overture. Although its smaller sibling, the “Bock,” might have been brewed as early as the 14th century with ale yeast, this lightly hopped, historic German lager emerged in the 17th century. Paired with the overture to “Tannhauser,” one can easily sink into the opera’s music and its mythology without missing a beat.

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RECIPE
Ad-Lib Granola

RECIPE

This super simple granola makes the perfect healthy breakfast when served over yogurt and fruit or a delicious on-the-go snack. Have fun with this recipe and change it up to suit your taste. Substitute the almonds, pepitas and dried cranberries with your favorite nuts, seeds and dried fruit. Add unsweetened coconut flakes halfway through cooking time or chocolate chips once completely cooled. Improvise away!

INGREDIENTS

Ad-Lib Granola
4 cups old-fashioned rolled oats
1 cup sliced almonds
½ cup pepitas (raw pumpkin seeds)
1 tsp fine-grain sea salt
½ teaspoon ground cinnamon
½ cup melted coconut oil
½ cup maple syrup
1 teaspoon vanilla extract
2/3 cup dried cranberries

Directions

Preheat oven to 350 degrees and line a large, rimmed baking sheet with parchment paper.
In a large mixing bowl, combine oats, nuts, seeds, salt and cinnamon. Stir to blend.
Stir in oil, syrup and vanilla, mixing well until dry ingredients are fully coated.
Pour into prepared pan and spread in even layer with spatula.
Bake for 15 minutes, remove from oven and stir. Spread in even layer once again and return to oven for additional 10-15 minutes until lightly golden.
Let cool for at least 45 minutes undisturbed.
Top with cranberries.
Store in airtight container for up to 2 weeks.

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Pet of the Month
Lil' Papi

Pet of the Month

Lil' Papi

As we enter the dog days of summer, it feels strangely appropriate to choose a cat as June’s Pet of the Month. After all, cats are nothing if not contrary creatures who delight in creating confusion and chaos. Lil’ Papi has graced cellist Mary Del Gobbo with his benevolent presence for the past 13 years (the first two years were rough, as Mary required a lot of training to become proper cat staff). Named after famed Boston Red Sox slugger, ‘Big Papi’ Ortiz, Lil’ Papi has adapted well to his name, strutting around the house with an affable air of expectancy, knowing that he is beloved by all. Affectionately known as “The Sheriff”, Papi rules with an iron fist, and makes sure to keep his bigger little sister, Paisley (a boxer mix) in line, while at the same time enforcing a strict bathing regimen of which he is the sole licker (after all, do you know where a dog’s tongue has been??) Papi is a cultured feline who has eclectic tastes that range from popcorn to hummus, with a special fondness for Jim ’N Nick’s cheese biscuits. Papi also has a collection of headdresses that he likes to show off whenever he’s feeling whimsical. So, even though it’s Tuesday, Papi says “Happy Caturday!”, because when is it ever not a good day to celebrate a cat.

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JOKE

JOKE

What kind of soap do composers use?
Anti-BACH-terial soap, of course!